handfulofmia https://handfulofmia.com/ Fri, 28 Aug 2020 05:57:58 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 https://i0.wp.com/handfulofmia.com/wp-content/uploads/2019/11/cropped-Logo@4x.png?fit=32%2C32&ssl=1 handfulofmia https://handfulofmia.com/ 32 32 163171371 Quintessential Quartz Engagement Rings https://handfulofmia.com/2020/08/28/quintessential-quartz-engagement-rings/ https://handfulofmia.com/2020/08/28/quintessential-quartz-engagement-rings/#comments Fri, 28 Aug 2020 05:57:38 +0000 https://handfulofmia.com/?p=1897 Recently, I was with my friend Kayla and we went to the crystal shop. A stone that she introduced me to, that I’ve been thinking about since is Picasso Jasper. That of course, led me down the rabbit hole of finding jewelry that had a similar color palette of dark and light with a stark…

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Recently, I was with my friend Kayla and we went to the crystal shop. A stone that she introduced me to, that I’ve been thinking about since is Picasso Jasper.

That of course, led me down the rabbit hole of finding jewelry that had a similar color palette of dark and light with a stark sense of contrast. The engagement trend that no one is talking about, but frankly everyone should be talking about is rutilated quartz. 

Rutilated quartz contains needle-like inclusions that can look black, golden, or copper-like. While often in the gem world, inclusions mean that the price of the stone plummets…with this stone the inverse is true. The more beautiful the inclusions, the higher the stone can sell for. With a score of 7 on the Mohs Hardness Scale, it’s hard enough for daily wear, and also the stone is super unique.

I want to talk about price versus value with this stone as well. The naysayers can say, “oh, he got you a quartz ring? I guess he was too cheap for a diamond.” And let me give an emphatic no to the haters. While rutilated quartz itself may be considered a bargain stone, expert craftsmanship from a luxury jeweler is nothing to sniff at. Also speaking of haters, rutilated quartz is known for having properties of blocking negative energy, so really you’re killing two birds with one stone. So do you want a typical boring diamond so your ring can look “expensive” and your insipid relatives can approve of it or do you want the kind of stone that would make your little emo heart flutter? It’s a no brainer. 

These are my favorite picks for rutilated quartz rings that are oozing with alternative engagement ring goodness.

Bea Halo Ring with Black Rutilated Quartz – Anna Sheffield, $3800

I am obsessed with this ring. There, I said it. This ring reminds me deeply of my teenage self: Tim Burton-esque with a penchant for alternative rock and garage punk bands. And just because this ring reminds me of my emo screamo days doesn’t mean that it’s not refined, elegant, and fit for a modern-day bride. I mean who wouldn’t want to wear a Jackson Pollock painting on their finger? And I love the halo of white diamonds, it gives the ring just enough glamour without crossing the line into gaudy and high profile. This is a “say yes” ring for sure and any woman with a taste for unique and artistic jewelry would swoon over this ring. 

Florence Rutilated Quartz Ring – PeneliBelle, $1443

I have one word for this treat of a ring. Steampunk. How can you go wrong with gorgeous geometric shapes and a bit of mystery? I absolutely love the labyrinth of inclusions in the stone. The black rhodium plating makes it edgy and adds to the one of a kind antique factor. This ring makes me think of 1920’s flappers wearing fringe dresses with feather headdresses. It looks like it was yanked right out of the art deco era and given a home in modernity. Wearing a ring like this toes the line between the sophisticated styles of the past and the current pulse of the jewelry industry. The “Florence” ring tips its hat to the rings that came before it and boldly sets the stage for new rings to come. 

Petite Crossover Ring – Natalie Marie, $1876

When the abstract becomes tangible that’s when you know your design has achieved complete symbiosis. I love that the little scribbles and darting lines in the quartz are mirrored with the design of the band. I like the delicacy of the four claw setting and how the yellow gold makes a bold statement. This ring is decadent, delicate, and damn beautiful. Also to take this in another direction, the circular interwoven band reminds me of Jupiter’s rings. This ring is giving me strong outer space vibes but not in a Star Trek way. In a this-stone-looks-like-it-has-a-whole-universe-in-it kind of way. This ring is Alice in Wonderland wacky with the added bonus of being wallet-friendly. What’s not to love?

Let me know in the comments below, have I made you a believer? Could you commit to a rutilated quartz engagement ring or are you a die-hard diamond fan?

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Why Kassandra Lauren Gordon Thinks Ethical is a Buzzword https://handfulofmia.com/2020/08/20/why-kassandra-lauren-gordon-thinks-ethical-is-a-buzzword/ https://handfulofmia.com/2020/08/20/why-kassandra-lauren-gordon-thinks-ethical-is-a-buzzword/#comments Thu, 20 Aug 2020 22:26:11 +0000 https://handfulofmia.com/?p=1873 Kassandra Lauren Gordon is a multifaceted woman living an intersectional life. Both performance poet and jeweler, she navigates the cultural terrain of having Jamaican heritage and living in London. She marches to her own drumbeat and loves to listen to the Arctic Monkeys, Oasis, Chloe x Halle, Beenie Man and Bounty Killer. She also finds…

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Kassandra Lauren Gordon is a multifaceted woman living an intersectional life. Both performance poet and jeweler, she navigates the cultural terrain of having Jamaican heritage and living in London. She marches to her own drumbeat and loves to listen to the Arctic Monkeys, Oasis, Chloe x Halle, Beenie Man and Bounty Killer. She also finds herself defying expectations with both her jewelry and her appearance. Because of her traditionally white-sounding name, often stockists are confused when they see her in person. In Kassandra’s words, they do a “double-take.” While her jewelry is expected to look deeply African and tribal, she often gets labeled as “sophisticated” which has led to confusion from customers and stockists alike. 


Classically trained at the University of the Arts London, she loves jewelry and considers herself to be a “jewelry head.” Kassandra got started in jewelry by exploring the market scene (her favorites were Spitalfields and Camden Market) and eventually transitioned into precious metals. Her love for jewelry does not center solely around beads and materials, she also empathizes with the Black jewelry community and their unique plight. As of June, she launched a hardship fund for Black jewelers in the UK that has raised over $24,000. The money is intended to be distributed to 10 Black jewelers in the form of grants. If you would like to donate, you can do so here. I hope you enjoy this interview as much as I did!

Amiah Taylor: Do you think Black children are encouraged to become goldsmiths and jewelers?

Kassandra Gordon: This is the thing, people have to look at the journey and no one has done any research. This is why I wanted to do the fund of qualitative research.

I’m trained as a social researcher from my time at university. We’re not there yet these are all just random stories. This is just my individual story. So when I was at school, I didn’t know about silversmiths. I didn’t know what a goldsmith was.

Everyone wanted me to be a social worker because I don’t know how it is in the U.S. but usually, there’s a lot of overrepresentation of social workers who are Black. That’s what I grew up in, everyone wanted to be a nurse, a hairdresser, a social worker, or perhaps an athlete. I’m not about that life. The short answer is no, I don’t think people are exposed. And the Black people who do, do jewelry there’s an expectation for them to do hip hop jewelry like grills.

AT: Has your experience of harassment around collecting supplies affected your style of jewelry? I noticed that your style is very minimalist. 

KG: When I described that in my open letter, that was when I first started probably 5 or 6 years ago. People are starting to recognize me as a jeweler but when I first started it was very unwelcoming. It was assumed that I was lost or that I wasn’t a jeweler and I would get followed around.

Sometimes when you’re looking for gemstones, it’s a small area, and suppliers would just hold the gemstones and piece it to me while the other white clients could hold things and explore as they pleased. Someone accused me of taking a gemstone and I was very upset. I was like “why would I take a gemstone?” And the gemstone was like fluorite, which is 2 or 3 pounds. So it was like, you’re going to try and say I took something that’s 3 dollars? The jewelry trade, especially Hatton Garden, is all about trust. So it took me a while, it took me years for people to begin trusting me. 

Rhodium Black Moon Earrings, $329.
Gold Vermeil Jupiter Earrings, $329.

AT: You referred to the jewelry industry as monolithic. What do you credit for the lack of diversity?

KG: So number 1 is visibility. When you think of the term BAME (Black, Asian, and Minority Ethnic), some people might think of Chinese people or Middle Eastern people or Jewish people. But what’s different is that they are well established. They have their own networks in the jewelry industry, but not Black jewelers that I know of. They’re not as visible. 

It’s pretty heartbreaking that the jewelry industry doesn’t care because they didn’t put the resources out there to show compassion. No one wondered, “why are there no Black people in our courses? Why are there no Black people in our trade shows?” With trade shows, it’s frustrating, I can’t be the only Black jeweler there. I don’t want to be seen strictly as a “Black jeweler.” I just want to be seen as a jeweler and for my merit. I’m not an exotic kind of thing. At times it’s annoying because I don’t always make jewelry that’s “Afro-centric.”

AT: Just because you happen to be Black doesn’t mean you have to make Afro-centric jewelry. You’re allowed to have diverse interests and you don’t want to be pigeonholed.

KG: Absolutely. I’m pigeonholed with Black people as well because Black people don’t really buy from me. And I want to put it out in the universe, I’m not afraid of blackness. My parents are Jamaican and Rastafarian, so I’ve had very strong pan-African roots. 

My jewelry collections are all about space and I like space. So why can’t I do it? Black people will say to me, “why don’t you do Nefertiti and things like that?” But I’ve done it before and you’ve never bought them. So you like me but at the same time, you don’t. You want to invest in me and at the same time, you don’t. I don’t want to be in a box, I want everyone to buy from me. With my work, I’m diverse. I use white models, I use black models and I even use myself. 

I try to cater to everybody but I’m learning in the industry that you can’t please everybody.

Model pictured wearing the Io Grande Pendant Necklace and Petite Jupiter Pendant Necklace, which are $448 and $316 respectively.

AT: In your Instagram Live, you said that we might be over-relying on old models to make a change. What models of change do you find to be paternalistic or outdated?

KG: You know what I just had an epiphany yesterday. I keep saying the jewelry industry but what does that mean? Usually, I mean, the archaic bodies of jewelry that have been around for centuries. It’s the emerging designers that are driving this change. And I’m thinking, “why am I waiting for whatever archaic jewelry body to make a change? If they cared, they would’ve done it.” Why am I waiting? 

4 weeks ago, I had about 1000 followers. All of a sudden, I’ve got 2000 followers. The followers don’t matter. I’m just trying to tell you about the jump. I had a very small following and I made noise about wealth and the system. People have contacted me from India and the U.S. and it’s interesting because I thought my voice didn’t matter. But it seems like it resonates with a lot of people. A lot of people understand that a conversation needs to be had and people want change. All of these people followed me and donated to the fund and responded to the open letter. It seems like it’s the first time we’ve had a diverse inclusion conversation at the global scale in the jewelry industry.

AT: Do you have a favorite quote by a Black leader or celebrity?

KG: “In a racist society, it is not enough to be non-racist, we must be anti-racist.” That’s Angela Davis. I feel that in my bones and that’s everything that I’ve done. I don’t just moan. I want to be proactive. With CO-VID 19, they acted quickly for an unknown entity or disease. They made sacrifices for this unknown disease. We should act the same here. That’s where I’m at.

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Emilie Shapiro has Brass for Days https://handfulofmia.com/2020/08/14/emilie-shapiro-has-brass-for-days/ https://handfulofmia.com/2020/08/14/emilie-shapiro-has-brass-for-days/#comments Fri, 14 Aug 2020 17:34:40 +0000 https://handfulofmia.com/?p=1846 What do you get when you mix 20 years of dancing with the expertise of a metalsmith? You get jewelry so fluid and captivating, it could only be created by a lifelong student of movement. Looking at Emilie Shapiro’s jewelry is like looking at treasure from another era. Every iteration has a touch of magic…

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What do you get when you mix 20 years of dancing with the expertise of a metalsmith? You get jewelry so fluid and captivating, it could only be created by a lifelong student of movement. Looking at Emilie Shapiro’s jewelry is like looking at treasure from another era. Every iteration has a touch of magic from the amorphous casting of the metal to the rough quality of the stones. I first featured Emilie’s Mosaic V Pendant necklace on the blog last year and she’s been one of my favorite artists since. 

Fun facts about Emilie include her near-obsession with aquamarine because of it’s raw and elemental energy. Being largely inspired by water, aquamarine truly resonates with her because it evokes the textures, hues, and feelings of the sea. 

Echeveria Ring, $150.
Oracle Earrings, $189.

In the media lately, white allyship has been a touchy subject. Many people believe that conversations and initiatives surrounding race should be led solely by BIPOC. It’s my personal opinion that white supremacist thinking isn’t a Black issue that needs to be sympathized with, but a white issue that needs to be both internally and externally addressed. 

Apparently, Emilie and I were on the same wavelength because she took it upon herself to launch a mentorship program for Black jewelry students last month. Her Jewelers Mentorship Program was created after deeply contemplating her privilege and making note of the lack of inclusivity and diversity at trade shows. She pledged to establish a relationship with a new mentee every 6 months and to continue the program throughout her career. It is actions like these that we need to see allies taking to show true support for the continued challenges that Black people face in America. 

We talked about everything from motivational speakers to the pandemic, I hope you enjoy this interview as much as I did!

Daybreak Ring, $137.
Hydra Cuff, 196.

Amiah Taylor: What are your feelings on the #BlackLivesMatter Movement?

Emilie Shapiro: I am in full support and solidarity with the Black Lives Matter movement. I can feel the tides turning, not just in the world but in myself. As a white woman who was raised by liberal parents in NY, I’ve always considered myself an ally without a racist bone in my body. Like so many others, I’m realizing for the first time in my life that’s not true. I’ve been looking back at things that I was taught growing up, in school and simply ingrained in our system, and am realizing for the first time we were not shown the whole picture. I’ve been focusing on educating myself, learning how to educate my son, and having conversations with friends and family that honestly we would have never had before. Not because we weren’t interested or didn’t believe that black people are not treated equally or given equal opportunity, but because we didn’t feel like it was our place to talk about. I realize now that’s wrong. We have to talk, and we have to fight for change – that’s our privilege. We need to make space, make noise, and make some changes!

AT: You’ve said all of your pieces are just extensions of your soul, how do you deal with the vulnerability of creating pieces that deeply reflect the self?

ES:  It’s really all I know how to do. I’m much more vulnerable doing other things I don’t feel confident in – like speaking on camera, math, and baking. I think when you’re comfortable with a skill or medium it gives you the freedom to just do you. 

AT: What draws you to brass as a medium? 

ES: I love working with brass so I can be big and bold with it. I love the color and I love the resistance it gives when working with it. 

AT: When you have low-energy days or days where you feel drained, do you have favorite motivational speakers that you use to lift your spirits? 

ES: I really love listening to Kurt Elster; he’s a marketing genius and is passionate about entrepreneurship and creativity. After I listen to his podcast I always feel energized about my business.

AT: You were able to help donate nearly 50 masks to frontline emergency workers at NYU Langone Hospital in NYC. In what ways has the pandemic changed your daily perspective? 

ES: I was really excited to be able to donate masks to NYU Langone hospital workers here in NYC. It’s something we wear every day in my studio, and never in a million years would I have thought how coveted they would be. The pandemic has taught me a lot of things, but mostly to slow down, to not take advantage of the small moments and how lucky I am to have my family, health, food on my table and a roof over my head.

Model pictured wearing Emilie Shapiro’s Weeping Willow Necklace and Weeping Willow Earrings, $196 and $174.

AT: Many people may not know that as well as being a mom and business owner, you are also an author. What was your process for writing How To Create Your Own Jewelry Line and how was that project different from your second book Creative Wax Carving

ES: The process of writing both of my books was really difficult at the beginning. Taking lessons I had taught to students in person for years and trying to translate it to paper. How to Create Your Own Jewelry Line began to pour out of me once I got started, trying to break down all of the things I’ve learned over the years, lessons I’ve learned from mistakes, and things I wish I would have known when I got started. Creative Wax Carving was a whole other challenge because I had to figure out how to explain a physical, tangible skill with words. Breaking down the lessons in the book was really fun. I am really proud of those books and to be able to share lessons with people around the globe that feel accessible.

Photo Credit: Emilie Shapiro Jewelry

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Blissfully Blinged Out Engagement Rings Under $3100 https://handfulofmia.com/2020/08/07/blissfully-blinged-out-engagement-rings-under-3100/ https://handfulofmia.com/2020/08/07/blissfully-blinged-out-engagement-rings-under-3100/#comments Fri, 07 Aug 2020 18:03:00 +0000 https://handfulofmia.com/?p=1834 Real love isn’t like romantic comedies. In reality, it’s more like: boy meets girl, boy romances girl, boy goes into massive sticker shock over engagement ring prices and decides that marriage is “just a piece of paper.” Or worse, boy gets some generic ring from Zales because it’s all he thinks he can afford.  Having…

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Real love isn’t like romantic comedies. In reality, it’s more like: boy meets girl, boy romances girl, boy goes into massive sticker shock over engagement ring prices and decides that marriage is “just a piece of paper.” Or worse, boy gets some generic ring from Zales because it’s all he thinks he can afford. 

Having a budget doesn’t mean your future fiancée has to look busted. The average cost of an engagement ring in 2018 was just over $7800. I am going to show you freakishly beautiful engagement rings for less than half of that budget. And what’s greater still, is that most of these rings feature non-diamond center stones, for all my #alternativebrides looking to stand out and show out.

Vampire Squid Ring – Eily O’Connell, $3079

This ring is unusual and I mean that in the best way possible. I love the luster of the 14 carat rose gold and how freeform and natural the design is. Eily cast the shape of this ring using crab claws found along the Irish coast to add texture and visual interest to the band. One of my favorite things about this ring other than the huge dazzling citrine is the fact that vampire squids are real creatures! Perhaps the pretty color of the rose gold is modeled after the red color of wild vampire squids, which makes the ring that much cooler! Your bride is guaranteed to be asked about this one-of-a-kind sparkler all the way from Ireland! 

Fault Line Diamond Ring – Jennifer Dawes, $3075

Ever since I wrote my article on brown diamonds, I have been liking colored diamonds more and more. This ring is bohemian, imperfect, and cast in rich 18k yellow gold. The salt and pepper diamond is full of dark inclusions that make it that much more unique and gorgeous to me. I love that the 1 carat center stone is emerald cut because it adds a geometric flair that contrasts with how organic the milgrain detail looks. One thing is for sure, no one else will have a ring that’s identical to the one you purchase. Cheers to not looking the same!


Giselle White Sapphire Ring – Emily Gil, $2500

I love that this piece isn’t your average cookie-cutter solitaire. I have seen scalloped edges before, but I’ve never seen them included quite like this. The hunter green pairs expertly with the 1.22 carat white sapphire center stone creating a lush sense of contrast. With a 9 on the Mohs hardness scale, sapphires are a durable stone that can last a lifetime. 

This ring is all about the small details from the small round white diamonds as accent stones to the milgrain border for the pear cut sapphire. This would be an ideal ring for a detail-oriented woman who loves sapphires and a sense of originality. 

Let me know in the comments below, which one was your favorite? Are citrines the new diamonds or do white sapphires steal the spotlight? 

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Social Justice in Sausalito With Sarah Swell https://handfulofmia.com/2020/06/25/social-justice-in-sausalito-with-sarah-swell/ https://handfulofmia.com/2020/06/25/social-justice-in-sausalito-with-sarah-swell/#comments Thu, 25 Jun 2020 06:41:00 +0000 https://handfulofmia.com/?p=1742 Sarah Swell makes jewelry that is moody, bewitching, and darkly beautiful. She’s one of the lucky people who knew what she wanted to do at a young age. After dropping out of art school and taking a jewelry class, she knew exactly what direction she wanted to take her life in after holding her first…

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Sarah Swell makes jewelry that is moody, bewitching, and darkly beautiful. She’s one of the lucky people who knew what she wanted to do at a young age. After dropping out of art school and taking a jewelry class, she knew exactly what direction she wanted to take her life in after holding her first torch. 

She believes that people need to stop saying “All Lives Matter,” and re-focus on the current trend of racialized violence that specifically affects people of color. She has been using her Instagram to advocate for social change. She has shared relevant links on her profile such as “20 Social Justice Books For Young Adults And Middle Grades,” and “75 Things White People Can Do For Racial Justice.” She personally donated a pair of diamond earrings to the Still We Rise Auction No. 9, which is raising funds to benefit the Equal Justice Initiative, M4BL (Movement For Black Lives), and other worthy causes. 

If you would like to help support Still We Rise, you can bid on the auction items up until June 29th at 7pm PST or make a Venmo donation here. Read all about her sources of inspiration, her allegiance to the #BlackLivesMatter Movement, and why she prefers Sausalito to Oakland. I hope you enjoy this interview as much as I did! 

Rainbow Diamond Band, available in 14k or 18k yellow gold, $1165.

Amiah Taylor: Where do you stand as far as the #BlackLivesMatter Movement?

Sarah Swell: I (and we as a business) unequivocally support the Black Lives Matter Movement. I unequivocally rebuke police brutality and support (at the very least) massive reform and reframing of the police. 

AT: So it’s safe to say that you consider yourself to be an ally? 

SS: While I hope to be seen as an ally, and am not entirely new to the movement, there’s a lot of work I need to do to be able to call myself an ally. I’ve been focusing on ways to use my business as a vehicle for racial justice & social justice work, donating, and reading. It has always been a goal of mine to incorporate more of a social justice lens into my business, but in all honesty, I fell asleep at the wheel a bit over the past couple of years. This inflection point in our country sparked by the murders of Ahmaud Arbery, Breonna Taylor, and George Floyd (among many others) has jerked me awake and I vow to never go back to sleep.

AT: It’s always good to see people intentionally doing the work to improve, so I can appreciate that. You’ve had to close your shop because of the California wildfires and then again for the pandemic. How do you continue with a spirit of optimism in the face of adversity? 

SS: Well, I’ll start by saying that I’m certainly not always optimistic! Owning a small business has always and will always be a challenge. My business is an extension of myself, and making jewelry is my passion. Even when it’s difficult, I find myself returning again and again for the love of the craft.

AT: What ties you to Sausalito and why is it a special place for you?

SS: I moved my studio to Sausalito from Oakland because I was craving a quieter life. Sausalito has an interesting history, from its days as a raucous bootlegging town during prohibition to the counterculture music scene in the ’60s & ’70s, it’s always been a weird, special little place. And I love weird.

Mystical Pear Soleil Diamond Ring, front view.
Treasure Coin Bib Necklace in silver, $420.
Treasure Coin Bib Necklace in 14k gold, $870.

Mystical Pear Soleil Diamond Ring, $3520.

AT: What’s your favorite gemstone? 

SS: I have to go with diamonds. Let me specify by saying unique diamonds. The range of colors and unique cuts is incredible. We use a lot of non-traditional diamonds in our work and I love it when clients ask what the stone is. They often do a double-take when we tell them it’s a diamond. From a designer standpoint, they’re very durable, so I like that I don’t need to stress when designing with them and in turn, clients don’t have to worry about durability when wearing them.

AT: You make jewelry modeled after fishbones. Fishbone jewelry has connections to cultures in both Hawaii and New Zealand. Is there any hidden significance or intentionality behind those specific designs?

SS: The fishbone series was my very first. I grew up on the east coast by the sea, so the design is more of an interpretation of a life lived by the ocean rather than anything very specific. Although it definitely has nods to both fish (in its scale-like fluidity) and snakes (with its serpentine-like movement.) 

Fishbone Pendant Necklace, with oxidized finish and sterling silver chain, $275.

AT: You’ve described the Big Sur as your happy place. How much does immersion into nature factor into your happiness?

SS: Very much so! There’s nothing else that simultaneously calms me down and lights me up like being in the wilderness. Nature offers us a chance to forget about ourselves a bit and connect with the earth and I always welcome that escape.

AT: In your shop, you have a wall of antique mirrors. How did you come to collect so many mirrors from different time periods and is it safe to assume that you are inspired by antiquity? 

SS: I’ve always had a thing for antiques and thrifting and have been collecting special objects since I was a teenager. The mirrors are no exception. I’ve gathered them over time, mostly from estate sales, yard sales, thrift shops, and antique malls. And yes, I’m absolutely inspired by antiquity. It’s so powerful knowing that the objects in your life have a history. Much like the people we choose to surround ourselves with, objects can also become part of our story.


Image Credit: Sarah Swell and Still We Rise

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Why Are Brown Diamonds Worth Less Than White Diamonds? https://handfulofmia.com/2020/06/17/why-are-brown-diamonds-worth-less-than-white-diamonds/ Wed, 17 Jun 2020 16:22:45 +0000 https://handfulofmia.com/?p=1709 We like our diamonds the way that Elizabethan women liked their complexions. That is, as devoid of color as possible and without so much as a freckle or a blemish.  In the diamond industry, these perceived blemishes are inclusions.  For example, graphite clusters and inclusions can make a diamond appear black. And nitrogen will cause…

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We like our diamonds the way that Elizabethan women liked their complexions. That is, as devoid of color as possible and without so much as a freckle or a blemish. 

In the diamond industry, these perceived blemishes are inclusions. 

For example, graphite clusters and inclusions can make a diamond appear black. And nitrogen will cause a yellow tint. Take that nitrogen and apply some heat and you have a brown diamond.

In “For Appearance’ Sake: The Historical Encyclopedia of Good Looks, Beauty, and Grooming,” Victoria Sherrow concluded that a preference for a pale appearance has correlated with class-consciousness. In other words, pale skin coincided with privilege. Darker skin, unfortunately, went hand in hand with manual labor and overexertion.

In “The Truth About Chocolate Diamonds,” Dodai Stewart asserted that “up until very recently, brown diamonds were not something anyone was interested in. Unless you just needed something hard and sharp, because you were running a factory.”

Is it a coincidence that brown diamonds have lower prices? Or that these so-called ugly diamonds were repurposed to do the dirty work? They became steel bits to drill through metal and part of saw blades to saw through wood. To put it plainly, their dark color went hand in hand with…manual labor.

The historically prized complexions of nearly translucent white women syncs up with the color grading of diamonds. Both systems follow eerily similar guidelines. The aesthetic of whiteness being interchangeable with value applies across all aspects of life. This is because white culture is the dominant culture.

The Diamond Colour Grading Scale was invented by the GIA or Gemological Institute of America in the 1950s. With the correct lighting, you view a diamond under great magnification. The diamond’s color is compared to a set of master stones. Depending on the color of the diamond, you can verify what letter grade it is and how much it is worth.

In the western world, jewelry has always been colonial. It’s kind of like a gun. It’s the white gaze that tells us what matters and what to pay attention to. In “Everything You Need To Know About Chocolate Diamonds,” Benjamin Khordipour gives us the facts. “Brown diamonds have always existed. They just haven’t been judged as worthy of inclusion on jewelry.” Moreover, in “Bravo for Brown Diamonds” the GIA referred to brown diamonds as the “ugly ducklings of the colored diamond world.”

It is worth noting there are no black or brown diamonds in the GIA master stone set. Every diamond that’s present is white and old, like members of a tiny corporate boardroom. The darkest diamond has faint hues of yellow, like blonde hair or straw.

In line with Jim Crow laws, brown diamonds are “separate but equal” and face segregation. And like the actual legal doctrine, “separate but equal” is not equal. Brown diamonds are worth significantly less.

Initially, because they were so undesirable a separate grading scale had to be created for them. This was known as the Argyle Grading Method. Today, brown diamonds are graded by the GIA against brown master stones.

With hip jewelers including brown diamonds in their designs, there is a rise in popularity. But the stigma of being brown is hard to erase. As Khordipour points out, “Because even the best chocolate diamonds are still brown diamonds, there is still a degree of snobbery present which sees them as the poor relations of colored diamonds.”

The general excuse that’s given is that brown diamonds are just so common, that they’re not worth much. Also, that they generally are of poor quality and thus are destined for industrial use. By poor quality, what’s being highlighted is that brown diamonds are full of inclusions. (It’s the inclusion of nitrogen that makes them brown.)

The same way that FOX News will highlight the worst examples of Black people and try to pass that off as the norm, the diamond industry has stereotyped brown diamonds as low-quality brown rocks.

That’s all fine and dandy, but brown diamonds often have the Three C’s: cut, clarity, and carat weight. And if they possess the holy trinity of diamond quality then why are they still of a lower rank? If we remove the excuses, the only difference at that point would be color. A brown diamond will cost far less than a colorless diamond with identical quality, clarity, and carat weight. I’ll repeat that, identical quality. And I think that says something about America. I think that says something about the world.

Brown diamonds have the same rating as a white diamond on the Mohs Hardness Scale. They are found deep under the Earth the same way white diamonds are found. They come in so many beautiful shades like chocolate, cognac, and champagne. And yet, they’re cheap. And yet, they’re called ugly. And yet they’re seen as fit for manual and menial labor.

The “aha!” moment for me, was when I realized that the reason that brown diamonds are worth less is bias. Being a Black person is no different than being a brown diamond. People look at you and assume you should be working hard in a factory somewhere. People view you as impure and less beautiful.

How is deciding that brown diamonds are worth 50% less than white diamonds any different than the Three-Fifths Compromise, where we used to count Black Americans as ⅗ of a person?

Historically white diamonds are worth more because they’re seen as purer. Why is white expensive and ecclesial and pure? Why is white right? Why is white the most beautiful color? What are we subjugating or devaluing by upholding that standard?

When we say that brown is not valuable or beautiful or worthy of display, is that truth or habit? We have to stop assuming old mentalities are timeless.

I am a brown diamond. I have been persecuted, stigmatized, and given a low appraisal. I have been fetishized and referred to as various liquors and desserts. But I don’t let subjective opinions affect my objective worth. I am a rarity.

The truth is that brown diamonds are as breathtaking as they are diverse. And like Black people, we have to stop pigeon-holing them and recognize their equality and beauty.

Image Credit: Marigold Events, Joe Escobar Diamonds

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White Allyship 101 with Variance https://handfulofmia.com/2020/06/16/white-allyship-101-with-variance/ Tue, 16 Jun 2020 08:50:00 +0000 https://handfulofmia.com/?p=1628 Many jewelers are silent in the face of the protests and I think the assumption is that they want to protect their brands. But there’s an alternate theory that is unsettling to think about…do they side with the government? Are they apathetic or indifferent towards the death of George Floyd? Variance has been using their…

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Many jewelers are silent in the face of the protests and I think the assumption is that they want to protect their brands. But there’s an alternate theory that is unsettling to think about…do they side with the government? Are they apathetic or indifferent towards the death of George Floyd?

Variance has been using their Instagram Stories for activism and I commend them for it. They reposted a photo of the Santa Cruz police chief kneeling alongside peaceful protesters, an image that has since gone viral. They also posted an image of the Louisville Community Bail Fund, an organization created by #BLMLouisville to help those in jail because of bail, after making a personal donation. Variance also posted an image of their donation receipt for the Grassroots Law Project, an organization whose mission statement involves defunding the police and demilitarizing both schools and neighborhoods.

These are the kinds of actions we need to see small businesses taking as allies in the movement against systemic racism. I stand with Nicole Rimedio and Scott Zankman of Variance in affirming that #BlackLivesMatter. I hope that you enjoy this interview as much as I did! If you would like to contribute to the Louisville Community Bail Fund or the Grassroots Law Project, you can do so here or here.

Black Jade and Blue Moonstone Earrings, $756.

Amiah Taylor: How do you both feel about police brutality and do you consider yourselves to be allies?

Nicole Rimedio and Scott Zankman: We are fully supportive of the protests. We see protest as a vital part of American society. We hope that the protests continue until there is a real, serious, and measurable change to the way BIPOC are treated by this country. We believe that systemic racism is a problem that all people need to work to solve and that white supremacy is a problem that white people need to see as their problem. It’s not a black issue, it’s a white issue.

AT: How do you relate to the Black Lives Matter Movement?

SZ: We’re interested in reposting BLM related content through an art lens. We’re not an activist organization or a news source. We are a deeply artistic jewelry brand. We will look to highlight images and words that speak to us as art. Yes, we want to repost the work of black artists and others but we also want to expand the definition to include actions taken in the protest. For instance, dismantling a statue of a slave owner and then defacing it is something we consider to be art.  

Large Baguette Diamond Cuff, $1980.

AT: If you could be a superhero husband and wife team, saving the world from the crime of hideous jewelry, what would you call yourselves? 

SZ: We already are that: Team Variance. We want to change how beauty is perceived. The standardized version of it never really gets questioned. It’s a mission of sorts. 

AT: What was your original intention behind getting a master’s degree in Landscape Architecture from UC Berkeley? 

NR: I thought it was the right thing to be a professional and have a good steady career. I’ve always been interested in urban systems. How people inhabit spaces, what makes a place seem magical. I love observing how people move through space. I think the most valuable experience of it all was sitting through 3 years of what felt wrong, which led me to see clearly what was right for me.

 AT: I love that perspective and I’ve had the same experience of sorting through what was wrong to gain more clarity. Speaking of clarity though, I love the way that your jewelry stands out in pictures. Do you have any tips for how to best capture jewelry in photographs? 

SZ: A nice lens helps, get a macro lens. For us, we’re looking to capture the texture of the work as we believe this is an important aspect of our aesthetic. Plus, jewelry is small so we believe it is important to focus on the actual piece.

AT: You approach your jewelry from a minimalist perspective, do you also embrace minimalism in your daily life? 

NR: Yes, from the perspective of where I put my focus. I prefer to only have a few things I am focusing on at a time. I don’t do well with feeling scattered. I guess you could say I approach minimalism from a mental place. But I like stuff. You should see my closet. 

Single Orange Carnelian Stud, for the pair $238.
Salt and Pepper Diamond Hook Earrings, $792.

AT: Do you have pets and if so, how would they describe you in 10 words or less? 

NR: We have a Maine coon cat named Roosevelt. He sees us as the source of all things good. But that can definitely be a burden as he yells at us when it rains as if somehow it’s our fault.

Image Credit: Scott Zankman, Variance.

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Bold Brass Statement Earrings Under $305 https://handfulofmia.com/2020/05/21/bold-brass-statement-earrings-under-305/ Thu, 21 May 2020 21:53:16 +0000 https://handfulofmia.com/?p=1576 Have you ever wondered how to get people to look at you without ever having to say a word? The secret, my friend, is statement jewelry. These earrings are big, commanding and they draw eyes without even trying. I speculate that statement brass earrings will be great conversation pieces for summer, that is….if we can…

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Have you ever wondered how to get people to look at you without ever having to say a word? The secret, my friend, is statement jewelry. These earrings are big, commanding and they draw eyes without even trying. I speculate that statement brass earrings will be great conversation pieces for summer, that is….if we can ever leave the house. HarpersBazaar cited oversized earrings as one of the top summer jewelry trends for 2020. 

Here are my top 3 earrings for staying on trend and looking stylish for summer!

Butterfly Garden Brass Earrings – We Dream In Colour, $270

These are not your mother’s hoop earrings. Gone are the days of delicate little silver circles being the epitome of bold earware. And bamboo hoops, despite numerous attempts to resuscitate them, are dead as well. The brass hoop however, is alive and well, and this is a trend I love. The great thing about these earrings is that you can play up an outfit with a floral pattern or bring some playfulness to a monochromatic outfit. As I mentioned in a former article, brass earrings are most ideal when they incorporate sterling silver or surgical steel where your ear might touch. The Butterfly Garden Brass Earrings are no exception, and have sterling silver posts. These earrings get an A+ for not having to choose between beauty and practicality. Also save 30% by ordering them from this link!


Salento Black Earrings – Bibi Marini, $270

These moody, witchy earrings put me in the mind of lunar eclipses and starry nights. I could see myself wearing these and roaming a beautiful gothic cathedral. The Salento Black Earrings contain sterling silver posts, 24k gold plated brass and interestingly enough, silk thread. I love the way the black crystals sparkle, it really adds a level of animation and sophistication to earrings that could otherwise be entirely metallic. These are true day-to-night earrings, in that, you could play them up for a casual brunch or wear them to a nightclub. These earrings are true headturners and will make a darkly romantic impression for summer.


Kinetic Petal Doré Earrings – Anissa Kermiche, $305

Is it odd that these earrings make me think of genealogy? The Kinetic Petal Doré Earrings remind me of a family tree, if you happened to come from a long line of carelessly perfect looking flower petals. They look vaguely molecular and also put me in the mind of chemical compounds. If I could use just one word to describe these earrings it would be futuristic. These earrings are on a whole other level. I love the way the 18k gold plated brass petals hang like a mobile above a baby’s crib. These fresh and contemporary looking earrings will definitely make you catch someone’s eye. 

Which of these three pairs of earrings would you get to liven up your wardrobe? Are you feeling the florals or eyeing the moody hoops? Let me know in the comments below!

Image Credit: Anissa Kermiche, Moda Operandi, Bibi Marini

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Karole Mazeika: Jewelry That Interacts With the Body https://handfulofmia.com/2020/05/07/karole-mazeika-jewelry-that-interacts-with-the-body/ Thu, 07 May 2020 08:15:00 +0000 https://handfulofmia.com/?p=1473 A while ago, I was having a conversation with one of my best friends about unknown resemblances. In my mind, this was the idea of relating seemingly unrelated things together and recognizing synchronicity where others might not. Karole Mazeika plays with the idea of unknown resemblances flawlessly. Her jewelry toes the line expertly between being…

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A while ago, I was having a conversation with one of my best friends about unknown resemblances. In my mind, this was the idea of relating seemingly unrelated things together and recognizing synchronicity where others might not. Karole Mazeika plays with the idea of unknown resemblances flawlessly. Her jewelry toes the line expertly between being organic and cerebral. Her lens is creative and it allows for her to reinvent trees as purses and birds as earrings.

Karole is the co-founder of Oropopo, a jewelry and home design business that she runs with her husband, Grady. I sincerely love the jewelry that Karole designs. The way Karole interprets natural wonders and reimagines them reminds me of how a prism redistributes light. She has a way of making the eye dance. 

Karole was born near Oropopo, Venezuela, in a refinery town along Venezuelan’s Caribbean coast. As a teenager, she moved to Sao Paulo, Brazil and her designs that now feature the Southwest landscape are an abstraction of the Brazilian modern jewelry modeled using the natural riches of the Amazon.

I hope you enjoy this interview as much as I did, we talked about everything from coping with CO-VID 19 to architecture and mythology.

Amiah Taylor: What fascinates you about buildings, and how does that translate into jewelry?

Karole Mazeika: I don’t think architectural design translates into jewelry, exactly. You could say design principles are the same at any scale but that isn’t true. The priorities are different, the purpose is different, and the practical concerns are different. 

That said, humans tend to adorn themselves along their outside just like buildings. I use contemporary architectural skin patterns in my jewelry, from expanded metal in the VLA (Very Large Antenna Array) to perforated screens in the Tierra series. Another way architecture impacts the body is in its choreography through built environments. I don’t design pieces that stand off the body but that interact with it.

Above Clouds Cuffs in Silver, Platinum, Black and Natural, $130 each.

AT: In your Albuquerque studio, do you like to listen to music as you work, and if so, which artists?

KM: I wait until my morning walks to listen to the news on the pandemic, especially hard-hitting ones from The Daily or The Inquirer. I let myself grieve and cry. When I get to my studio I switch to stations from Google Music. Currently, I’m defaulting to funky and celestial instrumentals. I recently discovered “focus music” in my Headspace app and it’s a great variation on white noise for CAD work. I tend to listen to audiobooks while constructing jewelry. Some I recently listened to are I Contain Multitudes by Ed Yong and Everything Is F*cked by Mark Manson. 

AT: How did you get the idea for opening up Oropopo with your husband, Grady?

KM: I had been experimenting with laser cutting and wearables for my personal use for a while before leaving my architecture job. Grady and I have always had a collaborative dimension to our relationship. Even before I began working for myself, we would talk about design and art theory and collaborate in web design and blogs. As a writer, he loves visual metaphors. We both love the landscape and traditions of New Mexico and the Southwest. So as I explored more about what the laser cutter could do as a tool and leather as a material, it evolved into a serious endeavor.

AT: As a husband and wife team, what are your respective roles? Would you say that you are more mechanical or that he is?

KM: Day-to-day I design and do a lot of the production. I spend most of my time in the studio or at trade shows. Grady writes narratives. He also handles the back-end business-to-business work. He spends most of the time behind a screen or on the phone. If one of our lasers breaks I fix it. If the swamp cooler breaks he fixes it. I think we complement each other in our mechanical prowess. 

AT: When you initially opened Oropopo, did you know that you wanted to expand past jewelry and make shoes and tabletop sculptures?

KM: Jewelry has been our focus because we are filling a hole in the market. Shoes were a collaboration initiated by an Israeli women architect team. Bags began from a suggestion from a fellow maker. They are made in collaboration with an architect who is also a dear friend. Wall hangings began from a client asking for a necklace big enough to hang above her bed, so we started calling it “jewelry for the home.” Baskets began from trying to make hats. There is a strong client-driven need for belts and we’ve been working on those for a couple of years. We are close to launching them! 

Rattlesnake Bracelet in Faux Cream, $130.

AT: What’s your opinion on “push presents,” the 21st-century trend where men are giving women a piece of jewelry in exchange for giving birth? And if you approve, which jewelry piece in your shop do you think would make a great push present? 

KM: I love that each partnership has a ritual. Love and life should always be celebrated. I think our most expensive piece is the perfect push present!!! Just kidding! Ask for what makes you happy and helps you remember the joy of giving birth because pushing out a baby is no joke.

Rattlesnake Bracelets in Natural and Cream.
Bijou Breastplate Necklace in Silver, $125.

AT: Michael Kors is quoted as saying “I’ve always thought of accessories as the exclamation point of a woman’s outfit.” What’s your philosophy on accessories?

KM: I have described my approach towards designing accessories, but I don’t know if I have one on wearing them. I’ve heard clients mention that our pieces are conversation starters. People stop them. They’re just so perplexed on never seeing metal do that or wood do that and then can’t get over the fact that it is actually leather. I’ve heard this especially from clients who never wore statement jewelry before ours. Most clients do reserve on wearing Oropopo for days that they want to interact with others. It’s the literal “pick me up.”

AT: Your jewelry draws from the mythologies and iconography of the American West. Do you have a favorite myth that you love?

KM: You can argue whether it can be considered Western mythology, but we have always been awed by the VLA (Very Large Array) antenna out on the San Agustin plain. There isn’t a better design allegory for the high desert than those silent giants poised in the middle of nowhere listening into deep space for traces of information. The array is like the mesas or the plants waiting for what little rain they might get. They are man-made, designed for a specific purpose, but they look like they belong there. The whole tradition of design in the Southwest is like that, full of uncanny hybrids and cross-cultural knots that when you study them you find metaphors for so much more than just made objects. That’s what inspires us the most.

Ocotillo Short Tote in Oiled Canvas, in Olive, Gray and Orange, $300 each.

Image Credit: Oropopo

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Mind-Blowing Earring Pairings for the Alaia Suede Sandals https://handfulofmia.com/2020/05/06/mind-blowing-earring-pairings-for-the-alaia-suede-sandals/ Wed, 06 May 2020 20:13:45 +0000 https://handfulofmia.com/?p=1529 A pair of pink or taupe heels that are both pretty and well-structured can be hard to find. I love the idea of having a dusty pink pair of heels that would go with my summer floral prints or my fall basics. So imagine my delight when I found these beauties!  These Alaia heels have…

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A pair of pink or taupe heels that are both pretty and well-structured can be hard to find. I love the idea of having a dusty pink pair of heels that would go with my summer floral prints or my fall basics. So imagine my delight when I found these beauties

These Alaia heels have everything that you would want in a shoe. They’re a beautiful color and they’re minimal while still having a bit of personality. These sandals can be dressed up or down and I have the earring pairings that will help you do either!

Here are my top picks for beautiful earring pairings to compliment these cute Alaia suede sandals.

Stick Agate Drop Earrings – Betsey Bensen, $247

What I like about these earrings is the ability to take your outfit in an entirely different direction. The seller describes the color scheme as a “milky mix of lavender and white with a few touches of rust.” The rust color, in my opinion, is very complementary to the dusty pink in the suede sandals. The elongated shape of the earrings seems classy and demure. I also like that these earrings are bordered in sterling silver because that ties in with the metallic studs on the sandals. I would wear these earrings with a lavender miniskirt and a white peasant blouse for an airy bohemian vibe.

Enchanted Hoop Earrings – Lele Sadoughi, $198

Every girl remembers the iconic line from Mean Girls: “On Wednesdays, we wear pink!” If those words were somehow made into a pair of earrings, these would be the earrings. I’ve been daydreaming about these hoops for a while now, so of course I wanted to share them! The hand swirled acetate  reminds me of marble because of how creamy and streaky it is. I love how the earrings almost seem ombre or transitional, the way they go from pink to off-white. Pairing these earrings with the studded Alaia sandals, you could transform the whole concept of your outfit from muted to bright and playful. I would pair these earrings with a pastel pink dress and matte silver nail polish, for a super feminine and cheeky look.

Coral and Blue Lagoon Crystal Earrings – Les Néréides Paris, $198

Blue isn’t the obvious choice for a pair of dusty pink Alaia sandals. But taking a look at these earrings and the bright and sultry pops of orange, aren’t they kind of adorable? These earrings make a statement in more than one way. With the silver studs on the sandals and the yellow gold plating on the earrings, this is a fun and bold way to mix metals. I also love the small floral details at the base of the earrings which have the tiniest little mauve flower buds. The knotted leather strap on the Alaia sandals are vaguely nautical to me and I feel like these earrings with the clear burst of coral and blue bring that theme full circle. I would wear these earrings with a breezy sundress and a pair of cute sunglasses.

Which pair was your favorite pairing with the Alaia sandals? Let me know your thoughts in the comments below!

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